Exercise 4: Collating and binding

Reflect, evaluate and reworkHaving printed your images from the previous exercise, take the opportunity to view all of the pages, reflect on them and evaluate before moving on to the next step of collating and binding the pages together. Which pages are successful? Which pages have not turned out as well as you had hoped?… Continue reading Exercise 4: Collating and binding

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Exercise 3: Sequencing images

In this exercise you’re going to create images which you’ll then print onto the papers you collected in the first exercise. You have been working with the poem Tango With Cows​ in the exercise ‘Concrete Poetry’, to create an experimental text. Using your interpretation of the poem as a starting point, develop a set of… Continue reading Exercise 3: Sequencing images

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Exercise 1: Paper/ephemera

To begin: Collect a wide variety of paper samples and other paper ephemera across a range of weights, textures and surface finishes. This builds on your previous paper sample exercise from Part Two. Aim to collect a wide range of unprinted papers, such as blotting paper, tracing paper, lined paper, graph paper, rice paper and… Continue reading Exercise 1: Paper/ephemera

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Research task: Exploring artists’ books

Find two artists’ books that you feel demonstrate an interesting relationship between their form and content through the materials that the artist has chosen to use. Reflect on these books in your learning log. Sandra Turley – This Original Self “It’s about self-discovery. It’s a study of identity… The images of a face are barely… Continue reading Research task: Exploring artists’ books

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